By Hamid Ismailov
Both frustrating and brilliant. I don’t quite know what I feel about this book overall. It was worth reading as it exposed me to a new atmosphere and a different way of living. There were fantastic passages where you got caught up in the enthusiasm but then it seemed to dip and you didn’t really care about the next few pages. Maybe it was written over a long period of time – some parts – particularly the end felt like they had been tacked on. The end was quite strong though. This is experimental in that the plot and narrative are almost invisible but that being the case the form needs to hold it together and it didn’t quite.
I laughed out loud at several episodes or turns. Maybe a loose collection of associated short stories would have been better – or perhaps that is what it really is under the guise of a novel. All very confusing – which is a good thing. A book shouldn’t always leave you nodding in a self satisfied way, sometimes there has to be head-scratching and incomprehension.
The author definitely communicates the life of the town of Gilas and the surrounding area very well. There is a large dose of imaginative interaction and at the books end I did have the sensation of having experienced some new, along with the frustration. The assimilation of Communism and Islam was very interesting – and there didn’t seem to be the clash you would expect. Perhaps the novel shouldn’t be called ‘The Railway’ as the railway doesn’t play a great part – it is more of an aside. ‘The town of Gilas’ would have been better. The town, families, history and local characters are what this novel is about. The inhabitants travel and indulge in improbable picaresque escapades but it is always to Gilas and Uzbekstan they return.
I think it was worth my time reading this. Someone else may disagree.