By Honoré de Balzac.
One of Balzac’s greatest novels, and, an uncomfortable read. There’s so much intrigue here. Balzac is cutting with his perspicaciousness and the subtle and not-so-subtle lampooning of individuals and the aspects of the Human Comedy that they embody. As always – fantastic witticisms:
“Money never misses the slightest occasion to demonstrate its stupidity. Paris would by now contain ten times the treasures of Venice if our retired businessmen had had the instinct for fine things that distinguishes the Italians.”
“She struck a pose in a fashion that was enough to lay Crevel wide open, as Rabelais put it, from his brain to his heels.”
At novel end, you breathe a sigh of relief. The characters have been through the ringer and the reader feels the same. But, masterfully done. Balzac was fired up and had things to say here. A final quote:
“‘You remind me, Papa Lumignon,’ said Stidmann, ‘of the bookseller who used to say, before the Revolution: “Ah! if I could only keep Montesquieu, Voltaire, and Rousseau properly short of cash, in my garret, with their breeches locked up, what good little books they would write for me and I should make my fortune!” If fine works of art could be turned out like nails, commissionaires would be making them…”
By Ivan Turgenev.
This was a reread and I liked it as much second time around almost twenty years after the first time.
I couldn’t remember the ending but I think it ended well – from a novelistic point of view (not necessarily for the characters). You find yourself drawn into the machinations and the characters, Turgenev is a master of the insular within a context.
There was much to consider. I like this paragraph:
‘Have you noticed,’ began Bersenyev, eking out his words with gesticulations, ‘what a strange feeling nature produces in us? Everything in nature is so complete, so defined, I mean to say, so content with itself, and we understand that and admire it, and at the same time, in me at least, it always excites a kind of restlessness, a kind of uneasiness, even melancholy. What is the meaning of it? Is it that in the face of nature we are more vividly conscious of all our incompleteness, our indefiniteness, or have we little of that content with which nature is satisfied, but something else–I mean to say, what we need, nature has not?’
By Tobias Smollett.
This was an absolutely brilliant and amusing read. It twisted and turned as Peregrine matured and immatured, traveled, fought duels, learnt lessons, caused havoc, fell in and out of love and generally encapsulated many aspects of the human experience. Smollett is a writer you don’t hear much of. Maybe, his books are too easy to read and are passed over in favour of Sterne and Tristram Shandy. But, there is much to be entertained by in this novel – and the scenes stay with you leaving you to consider them, but only if you feel inclined. Smollett also translated Gil Blas and Don Quixote – so you can see where his influences lie.